Producing

Virtual Production & SECOND UNIT Producer

With the enhancement of virtual production, game, and AI technology, I've been able to expand my knowledge and produce shoots for hit TV series and feature films like The Lincoln Lawyer (Netflix), Your Honor (Showtime), Station 19 (ABC), Bookie (HBO Max) and more.

As a second unit and additional scenes / VFX producer, I've worked hand-in-hand with A-list directors and talent on multi-day shoots and re-shoots––producing for parent companies such as Blumhouse, Sony, and ABC.

From hanging off the Space Needle in Seattle, to personally spending 12 hours filming zombies underwater––no request is too extreme.

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"Great producers have these qualities: resourcefulness, passion, clarity, a calmness during chaos, an upbeat personality, and the ability to mediate. Jeremy has all of these in spades."

- Mark Goldblatt (Oscar-nominated Editor)

Terminator 1 & 2, Showgirls, Pearl Harbor

"Jeremy's a self-starter with calm passion, deep caring and knowledge of the arts, humanities and life in general. I have learned so much from him over the years."

- Sheril Antonio

Dean of NYU Tisch Film; Art & Public Policy

"It was a delight working with him on every step of production. Jeremy generated original and ambitious ideas, and had to negotiate the constraints of our low budget production shooting in the Amazon jungle. His instincts - mixed with his devotion to his craft and ambition to tell relevant stories - were awe-inspiring."

- Paulo Testolini

Filmmaker

LATEST
PROJECTS

I like to challenge myself to learn new tools and pipelines. Genre aside, I'm always seeking fresh, authentic, and humanistic stories to tell––hopefully in new and innovative ways.

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Shrapnel (dir. Jerry O'Flaherty)

In 2044, after an asteroid collision launches fragments of high-value Sigma toward Earth, groups of rival mercenaries battle each other to obtain the life-altering compound.

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Europa (dir. Jacqueline Rosenthal)

On a complex mission to extract water from Jupiter's moon, Europa, three astronauts must choose between nature and humanity.

Home (dir. Marc Merhej)

In a town besieged by rolling airstrikes, an orphan boy and a widowed grandmother forge a heartwarming connection.

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River Man (dir. Laura Beckner)

An elderly veteran is evicted from his home and has nowhere to sleep. A woman cleaning a building at night invites him inside, and they provide each other with some comfort.

Blending the creative with the practical. Unifying teams around a common goal. Empowering others to do their best work. Solving logistical puzzles. Helping filmmakers achieve their creative visions. Wearing many hats.

Producers adapt to be whatever is needed to get the project done on time, on budget, and with distinction. Like the LAPD, we're here to "protect and serve" the story. For me, it's an invigorating challenge. And I'm here for it.

As a lead creative producer, and at times, UPM / line producer, I've worked across a range of media and genres––from multi-million dollar, complex VR action films to animation, documentary films, digital series, dramatic indies, and podcasts. Projects I've produced have won awards at Oscar-qualifying festivals, been shortlisted for the BAFTAs, been written up in major publications (e.g. LA T& NY Times), and have garnered millions of online views.

I'm also a proud graduate of USC's competitive Peter Stark Producing Program, where I graduated with my MFA as a Town & Gown Merit Scholar.